Design as a vector of social and economic innovation

It is a matter of placing the human at the center and of considering the design in its dimension of project, affirming that the object exceeds its materiality.

For this I explore the convergences between craft industry and industry based on their singularities. I tend to upset the processes for innovative, more fluid and efficient offers. I base my work on human experience for the final product to become a vector of meaning and authenticity.

Thus, I seek to inject the values ​​of craftsmanship in the industry, and the industry’s renewal capacity in crafts.


Combining an exploration approach and a designer approach


  • to meet communities and trades. Cultivate proximity and local cultural identity throughout the world through collaboration.
  • to the discovery of know-how and processes, identifying their singularity and untapped potential, technical or symbolic.


  • conduct projects with intuition and methodology in order to develop together tailor-made ways of designing and manufacturing a product.
  • create durable domestic objects and vector of meaning, remarkable for their sobriety. And relevant by the simplicity of their manufacturing method.


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