Design as a vector of social and economic innovation
It is a matter of placing the human at the center and of considering the design in its dimension of project, affirming that the object exceeds its materiality.
For this I explore the convergences between craft industry and industry based on their singularities. I tend to upset the processes for innovative, more fluid and efficient offers. I base my work on human experience for the final product to become a vector of meaning and authenticity.
Thus, I seek to inject the values of craftsmanship in the industry, and the industry’s renewal capacity in crafts.
Combining an exploration approach and a designer approach
- to meet communities and trades. Cultivate proximity and local cultural identity throughout the world through collaboration.
- to the discovery of know-how and processes, identifying their singularity and untapped potential, technical or symbolic.
- conduct projects with intuition and methodology in order to develop together tailor-made ways of designing and manufacturing a product.
- create durable domestic objects and vector of meaning, remarkable for their sobriety. And relevant by the simplicity of their manufacturing method.
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